Top News - June - 2003
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M'Wikwedong
centre purchased by locals
Roberta Avery, Birchbark Writer, Owen Sound
It was both one of the proudest and one of the saddest moments
of Berdina Johnston's life.
Fighting back tears, the usually reticent Ojibway woman stood
before a crowd of about 100 people at the dedication to the memory
of her sister Rose Nadjiwon at the M'Wikwedong Native Cultural
Resource Centre in Owen Sound.
The occasion was the dedication of a building on the east side
of the Georgian Bay community of Owen Sound.
The community had rented it for a few years and now they own
it.
"I'm so proud of my sister, she was a valiant woman who
battled cancer for 12 years before she died, but she left us
a legacy of our language and our culture," said Johnston
on May 18, just before the ribbon was cut to mark Ojibwe ownership
of the resource centre building.
Up until her death earlier this year, Nadjiwon had been a loved
and respected Elder at the M'Wikwedong centre, said centre director
Leanne Eamer.
Her unstinting work helped the more than 200 people who pass
through the centre every week to keep their physical, spiritual
and emotional lives in balance, she said.
From the centre's modest beginning three years ago when Eamer
was the only paid employee, their staff has grown to seven to
meet the increased demand for services.
With the help of funding from the federal and provincial governments,
the Ojibwe people recently were able to purchase the $125,000
building and establish a permanent home base to serve a growing
urban Aboriginal population, according to Eamer.
Flanked by two totem poles, the front door of the centre opens
onto a lobby with beautiful murals depicting the clans of the
area's Native people.
"It's an artistic memory of all our clans," said Eamer.
One of the murals depicts an eagle on a cliff overlooking the
water.
"Last night I dreamed an eagle had crawled up my arm and
sat on my shoulder,'' said Eamer.
Inside, bearskins decorate the walls of the room where Ojibwe
language classes and traditional skills such as quill box making
are taught.
"The centre means I can give my children and my grandchildren
what I didn't have," said Eamer, who was raised off the
reserve and didn't learn about her culture until she was 40 years
old.
The centre, which offers services ranging from daycare for young
children, to social activities for senior citizens, often has
several generations of Native people from the nearby Cape Croker
and Saugeen reserves working side by side.
"We often have Elders, teens, middle-aged people and young
children working at a unified project," said Eamer.
The centre is not exclusively for Native people.
"We're open to whomever else wants to learn about the beauty
of our culture," said Eamer.
Bernice Ellis Whitney, a Cherokee from the Montreal area who
will be working at the centre as an Elder, offered an opening
prayer before local officials and politicians cut the ribbon
to open the place.
Noting the work of the centre helps people keep their lives in
balance, Ellis Whitney prayed for peace.
"I dream of world peace and let it begin with me,"
she said.
Following the ribbon-cutting ceremony, each guest was given a
tiny red tobacco tie and was invited to offer prayers for the
centre by throwing the tie on a sacred fire with the accompaniment
of drummers nearby.
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Native Earth
theatre folks hold birthday bash
Julie Adam, Birchbark Writer, Toronto
On May 30, Native Earth Performing Arts-Canada's oldest professional
Aboriginal theatre company-celebrated its twentieth birthday
with "Best of," a fundraising evening featuring scenes
from Native Earth's best-known plays, as well as a book launch.
The celebration took place at the Harbourfront Centre in Toronto.
A silent auction of donated packages and First Nations' artwork
was also held.
"We're thrilled and honored to be able to bring together
so many of the artists who originally created these roles,"
said Yvette Nolan, the award-winning theatre company's artistic
director.
The evening began with a reception and music by Tamara Podemski
(Rent, Ready or Not). Next, Monique Mojica (author of Princess
Pocahontas and the Blue Spots and member of the Turtle Gals Performance
Ensemble) launched Staging Coyote's Dream, a collection of plays
by Native playwrights, published by Playwrights Canada Press.
The volume was edited by Mojica and Ric Knowles (Guelph University
professor and editor of Canadian Theatre Review and Modern
Drama) and includes plays by Gloria and Muriel Miguel, Daniel
David Moses and Drew Hayden Taylor. Mojica presented many of
the contributors who were there that night with a copy of the
book.
For the rest of the evening, Gary Farmer (of Dry Lips Oughta
Move to Kapuskasing, Buffalo Tracks, Powwow Highway and Smoke
Signals fame) hosted the event, introducing scenes from Tomson
Highway's The Rez Sisters and Rose, Tina Mason's Diva Ojibway,
Daniel David Moses' Almighty Voice and His Wife and Red River,
John MacLeod's Diary of a Crazy Boy, Billy Merasty's Fireweed,
an Indigeni Fairy Tale, Drew Hayden Taylor's Only Drunks and
Children Tell the Truth, Yvette Nolan's Annie Mae's Movement
and the Turtle Gals' the Scrubbing Project.
Performers included Monique Mojica, Herbie Barnes, Jennifer Podemski,
Billy Merasty, Lorne Cardinal, Rose Stella, Jani Lauzon, Carol
Greyeyes, Michelle St. John and the impressive Muriel Miguel
and Gloria Miguel. The Miguel sisters, together with their third
sister Lisa Mayo, founded New York's Spiderwoman Theatre--not
only the oldest Aboriginal theatre but also the longest continually
running women's theatre company in North America. As actors and
directors, they have played a key role in many Native Earth productions,
from The Rez Sisters to The Scrubbing Project.
Some of the very short play scenes in "Best of" were
probably more meaningful for those in the audience who had been
directly involved in their creation. The event had the feel of
a birthday party for family and friends, and the occasional theatre
supporter, rather than of a public performance. But this is the
case with so many theatrical get-togethers in Toronto.
Billy Merasty brought touching hilarity to the event with his
comically sizzling drag performance from his play Fireweed. The
Miguel sisters were powerful, as was to be expected. There were
many other good performances; the venue unfortunately didn't
do the event justice. York Quay Centre's Lakeside Terrace is
a noisy and distracting environment, with its open patio doors
and in-and-out traffic, and non-stop clinking from the bar at
the back of the room. A birthday bash of this significance deserves
better than a dressed up café space.
As the nurturer of First Nations' theatrical talent, Native Earth
has much to be proud of. Over the years, it has produced some
of Canada's best-known stage plays and featured a veritable Who's
Who of Native performers. In the early 1980s, Native Earth
was developing collective works on a project basis, which were
performed at the Theatre Centre and the Native Canadian Centre
in Toronto, and toured First Nations' territories.
The opening of The Rez Sisters in 1986 marked a turning point
for the company. Tomson Highway's play went on to become the
first North American, Aboriginal-written-and-performed production
at Scotland's Edinburgh International Theatre Festival, one of
the most prestigious contemporary theatre festivals in the world.
The play "changed the way the world looked at Native theatre,"
said Gary Farmer. Appropriately, scenes from it opened and closed
the evening.
In 1989, Native Earth launched its annual "Weesageechak
Begins to Dance" festival, which develops new plays and
dance performances to offer emerging Native talent the opportunity
to be produced and published. Weesageechak continues to dance,
thanks to the dedication of Native Earth artists and their supporters.
There was much to see and experience at "Best of,"
an evening of celebration. "I feel like a kid in a candy
shop," said Nolan.
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Earth Day celebrated
Ellie Big Canoe, Birchbark Writer, Georgina Island
The Chippewas of Georgina Island celebrated Earth Day a little
late this year because ice conditions delayed spring, but that
didn't stop more than 100 people who showed up for the celebration.
Fun was had by all on April 30, as community members and the
Georgina Island band staff split into groups to clean around
their community buildings and along the ditches of the island
road.
Community member Lenora Charles was one of the workers who showed
up to help. "I think it's excellent to see everyone here,
and everybody is doing such a wonderful job," Charles said.
Georgina Island's environmental co-ordinator, Rachel Fournier,
thought the turnout was great. "It's super seeing everyone
show up this year, compared to last year's total of around 30
people."
The clean up began around nine o'clock in the morning, so the
volunteers were good and hungry by noon, when they were treated
to a hot-off-the-grill, hotdog and hamburger lunch.
A small Eco-fair was arranged too. Participants included Hospice
Georgina, the provincial Ministry of Natural Resources, Windfall
Eco-works out of Newmarket, the First Nations and Inuit Health
Branch, and the Lake Simcoe Fisheries Assessment Unit. The Island
Daycare and Georgina Island School made bird feeders and "trash
art" out of recyclable items to contribute to the fair.
Hospice Georgina sold flowers, and cottager Nena Wilcox gave
gardening tips.
First Nations and Inuit Health Branch's environmental officer,
George Chenyetski, came out to explain how to avoid the West
Nile Virus on Georgina Island.
The Ministry of Natural Resources' fish and wildlife technical
specialist. John Almond, brought a wild turkey display to Earth
Day celebrations. At least 20 wild turkeys were released on Georgina
Island two years ago, and the population has grown to around
50.
"I think the first wild turkey hunt over here on the island
will probably be next spring," Chenyetski said.
The school children ended the day with poetry and songs about
Earth Day. They had also purchased a few trees which they planted
in their schoolyard.
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