Robinson continues success with first novel
By Cheryl Petten
Windspeaker Staff Writer
REVIEW
Monkey Beach
By Eden Robinson
384 pages (hc), $32.95
Knopf Canada
Eden Robinson's literary career is certainly off to a running
start. Her first book, Traplines, a collection of stories published
in 1996, received the Winifred Holtby Prize for the best first
work of fiction in the Commonwealth, and was selected as a New
York Times Editor's Choice and Notable Book of the Year. She
followed it up this year with "Monkey Beach," her first
novel, garnering nominations for both the Giller Prize and the
Governor General's Award.
The novel takes its title from a stretch of beach where narrator
Lisa Hill begins and ends her journey. As the story begins, Lisa
is with her parents, waiting for news of her younger brother,
Jimmy, whose boat has been lost at sea. The novel alternates
between present and past, as Lisa shares with us memories-moments
plucked from her life-that lead up to the morning after the coast
guard called with the news. The first memory Lisa shares, and
one of the last as well, takes place with Jimmy on Monkey Beach.
The summer had stretched itself into early September. When we
finally arrived, the day was sweltering. I loved going to Monkey
Beach, because you couldn't take a step without crushing seashells,
the crunch of your steps was loud and satisfying. The water was
so pure that you could see straight down to the bottom. You could
watch crabs skittering sideways over discarded clam and cockleshells,
and shiners flicking back and forth.
Kelp the color of brown beer bottles rose from the bottom, tall
and thin with bulbs on top, each bulb with long strands growing
out of it, as flat as noodles, waving in the tide. Many of Lisa's
memories are happy ones, recalling times spent with family-learning
traditional ways from her grandmother, hunting for the best Christmas
tree with her uncle, or watching as her brother joyously swims
in the ocean with a pod of killer whales. But other memories
are painful, forcing Lisa to continually try to come to grips
with the deaths of many of the people closest to her. She has
a particularly hard time dealing with these deaths because of
what her grandmother called "her gift."
Throughout her life, Lisa has had premonitions-in the form of
visions, dreams, or visits from a little man with bright red
hair, whose appearance always meant something was about to happen.
Each time someone close to her died, Lisa's sorrow and feelings
of loss were intermixed with guilt. Each time she felt she could
have prevented the deaths if only she'd acted upon her premonitions.
Her search for her brother brings her back to Monkey Beach once
again, where she has a chance to finally put the ghosts haunting
her to rest.
The book is wonderfully written, with interesting, realistic
characters that become fuller and more rounded with every new
memory, every turn of the page. The spaces in between past memories
and present events, Robinson fills with rich, descriptive paragraphs,
providing geography lessons, sharing myths, exposing Lisa's thoughts,
or giving us a closer look at her premonitory dreams.
A sea otter dives. Long streams of sunlight wash through kelp
trees, undulating like lazy belly dancers. A purple sea urchin
creeps towards a kelp trunk. The otter dips, snatches up the
urchin, carries it to the surface, where the sound of the waves
breaking on the nearby shore is a bitter grumble. Devouring the
urchin's soft underbelly in neat nibbles, the otter twirls in
the surf, then dives again. The urchin's shell parachutes to
the ocean bottom, landing in the dark, drifting hair of a corpse.
Despite the constant changes between past and present, and the
descriptive bits of story in between, Robinson manages to maintain
an even flow throughout the novel. And even though many of the
things experienced by Lisa are overwhelmingly dark, there are
just as many moments of happiness, and of hope. Much like life.
And we, as readers, are invited to share all of it.