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Hard work pays off for young artist
By Marie Burke
Sage Writer
MEDICINE HAT, Atla.With a click of a mouse and the execution of some computer keys, a masterpiece takes shape on the screen of a computer.
It may not be as simple as it sounds, but Pamela Whitecalf is well on her way to mastering what some people call an art form, graphic layout and design.
After three years of study, Whitecalf is nearing graduation from the Visual Communications program at Medicine Hat College. She has already designed CD covers and some posters for several organizations.
Pamela Whitecalf
Photo: Bert Crowfoot
Whitecalf, 22, leans towards a preference for Aboriginal art, but this emerging Cree/Objiway artist doesn't restrict herself to that alone.
"When I show my portfolio to people, they often assume my work is just with Aboriginal organizations, but I don't want to limit myself to just that. I just really enjoy the computer. It's a good tool to really let your creativity go," she said.
Organizations like SaskTel, Darkhorse Video and the Aboriginal Youth Theatre have used designs created by Whitecalf to promote their businesses and events.
She says the field she has chosen to work in is one that many Aboriginal people find it difficult to break into. Whitecalf credits her father and the family business, Sweetgrass Records, for her desire to learn about graphic design.
"Right now I am working as a freelance designer for Sweetgrass Records. I'm lucky with that because my parents let me go free with my work. Just the way I grew up, comes out in my art. It's just there," said Whitecalf.
After graduation, her goal is to look for work in the United States and eventually overseas. Experiencing the world, meeting different artists and seeing their art forms would broaden her perspective in graphic design, she said. Besides the experience, there's the opportunity to make excellent money in her craft.
Whitecalf also finds herself drawn to this kind of work because it gives her the satisfaction of seeing a finished product.
"Like any art form, it's about self expression and it feels really good. I can put my self into it. I'm proud to be Native and a woman in this field," she said.
Besides artwork, she also designs book layouts, magazines, brochures and
businesses cards. Web design is another aspect of design she would like to explore. It can be truly hard to narrow down the possibilities in this field.
The market is excellent right now for graphic design and this type of business isn't going out style, said Whitecalf. She would like to see other talented Aboriginal people in the business because they are out there, she believes.
"I think it's about having focus and a goal. You have to push yourself and believe in what you are doing. It's not easy. Computers are not easy. "
Aboriginal youth-developing their full potential
By Trina Gobért
Sage Writer
NORTH BATTLEFORDAboriginal youth from across Saskatchewan were entertained, but, most importantly, were educated at the Kanaweyimik First Nations Youth Awareness 2000 conference.
The conference catered to youth aged 12 to 17 years in North Battleford Sept. 27 to 29.
"The purpose of the conference was to bring together a large number of Aboriginal students to listen to speakers discuss issues relevant to Aboriginal youth," said Eleanore Sunchild, conference co-ordinator.
The three-day event included a workshop and play presented by comedian Don Burnstick that addressed issues related to drug and alcohol abuse. The conference also presented education, health and positive lifestyle through guest speakers and Aboriginal role models.
"I really liked Don Burnstick," said Joshua Whitford, 12, from Sweetgrass First Nation. "It made me feel positive about my future."
Eleanore Sunchild (left) presents Carmen Peyachaw with a door prize.
Photo: Trina Gobért
Whitford also enjoyed a fashion show that was presented by youth fashion designer Rhonda Cardinal.
"As a young designer I want to inspire other youth to seek out their talent, gifts and to achieve their full potential," said Cardinal.
The conference maintained and encouraged traditional protocol by opening with a pipe ceremony and grand entry led by traditional Elders.
"The conference was great because the Elders were involved right from the onset," said Sunchild. "They were involved with the organization and planning and we used them for guidance for the entire event, and in all facets of the conference."
The conference was attended by more than 300 students from La Ronge in northern Saskatchewan down to Fort Qu'Appelle in southern Saskatchewan.
"We're very happy with how everything turned out," said Sunchild.Joshua Whitford says goodbye to an Elder during closing ceremonies.
Photo: Trina Gobért
Closing ceremonies were led by champion chicken dancer Rodney Atchuinum from the Sweetgrass First Nation who felt proud to be a part of the conference.
"I'm always trying to encourage the youth to get involved more with their culture. I strongly believe that as Native people we are not going to get anywhere unless we have one foot firmly planted in our culture and the other foot planted in education," said Atchuinum. "That way the two can come together to help our youth move forward."
By Denis Okanee Angus
Sage ColumnistAs artists we have many mediums to work with. I have worked with oil paints, water colors and acrylics. I use my camera. I have worked with natural materials like feathers, leather, clay, concrete and raw wood.
Lately, I have been making furniture. I work with a table saw, miter saw and hand saw. Even with a chain saw you can make a lot of things that are nice. This winter I burned out my table saw so I used my chain saw and made a coffee table. As long as you can saw in a straight line it works!
This is where I get my pleasure from, from making things.
When I was a kid I dropped out of school. That's a long story. As a young adult, I took carpentry courses and this helps me a lot with what I am doing now. I also use my common sense. When we were at Indian summer games, a young woman asked me if I had finished high school to be a photographer. I told her "no" but that later I went back to upgrading a number of times and then took photography classes at college. She exclaimed, "Wow, you're my kind of role model!" It's important for young people today to have skills. Take something that interests you, from bricklaying or carpentry to electronics or industrial mechanics. There are so many options.
The picture you see is a chair I made out of wood that the beaver had chewed. I can find that wood around the lake where I live. I plan on making 12 of these chairs. The deer horns I found in the bushes. As an artist, more and more now I am using the materials I find around me.
I have read books about making things and then I try some of the things out. In Making Twig Furniture by Abby Ruoff, she credits Native Americans as the first people to use twigs and bark for practical purposes.
It is true that Native Americans used available natural materials and I continue following this tradition.
Traditionally Native people of many nations have harvested the willow twigs that grow in abundance along river banks and creek beds. They made fish traps, baskets, chairs with rawhide webbing seats. Our people made sweat lodges, eagle staffs, and shields. And when I was little, kids like me were straightened out with a young red willow.
After I read the book about making red willow furniture, I decided that making a chair was simple enough. It just takes a strong arm to bend the willow and a few screws or nails. I decided I wanted to create my own chair, in my own way. I was intrigued with the wood I found that the beaver had chewed, so I used that. I really made the chair for my dad.
He passed away before I showed him. That's too bad because he would have gotten a good laugh out of that chair.
There is something important I have learned from being an artist.
If given access to the right tools to use, Native people can make anything. I wonder if our leaders know that? Are our leaders building visions that respect our visions?