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Top News - August - 2002

Published August 19, 2002

Archbishop Sutton from northern Manitoba blesses a baby at the Lac Ste. Anne annual pilgrimage held July 20 to July 25 near Onoway, Alta. See page 3 for more.

Photo by Janusz Zalewski

Hobbema man offers traditional blessing of kiln

Shooting straight from the hip

Thrills chills and spills at Kainai

This is only a partial listing of the stories featured in the August 2002 issue of Alberta Sweetgrass. If you are not receiving your own copy of Sweetgrass, then you have missed out on a lot.


Hobbema man offers traditional blessing of kiln

Catherine McLaughlin, Sweetgrass Writer, Peace River

On July 22 more than 60 people gathered at a farm north of Hythe to witness the first firing of the Bishogama, a one-of-a-kind Japanese-style wood-fired pottery kiln.

Francis Tootoosis of Hobbema was invited to offer a traditional Aboriginal blessing for the kiln, which was designed and built by fourth generation potter Yasuo Terada of Seto, Japan.

Bibi Clement, the potter on whose farm the kiln was built, and the organizer of the International Ceramic Workshop, asked Tootoosis to do the blessing because this land once belonged to the first people.

"I can never forget that it is their country. I'm a white person in awe of these spiritual people," she said.

Before the kiln firing, Tootoosis and the main instructor of the workshop, Steve Sauer of Washington in the United States, participated in a two-day sweat.

"It was an amazing process," said Sauer of his first sweat. "It brought a focus to what I was doing, gave me a sense of the land, where I was," he said.

At the conclusion of the ceremony that included the passing of the pipe among the observers, the 26-foot kiln was lit with the fire from the pipe. This fire was then stoked with 10 cords of wood, for six days and six nights, providing the heat and ash to glaze more than 1,000 pieces of pottery.

A traditional Japanese ceremony was conducted by Clement who scattered salt for purification and cleansing of bad thoughts on the ground around the kiln, then rice for good luck.

Willow branches tied with white Shinto papers for good luck were placed into the kiln by Tootoosis and a few others.

The 15-day workshop appealed to writer Diane Meili, who found she could tell stories in the medium of clay. A junior potter from Peace River and one of the nine students, she used symbols-horse, snake and thunderbird-that reflect her Aboriginal background. To her delight she found the four elements in the pottery process: earth-the clay; fire-the fire in the kiln; water-used to work the clay; and spirit-both fire and human.

"The workshop was really about a community of artists, about the process, the love and sharing. The pots are a bonus!" said Sauer.

"It was a new experience for me," said Tootoosis of his involvement with the kiln. "I was impressed with the energy put into this project, the work of so many people. It is so positive."

Several pieces from the Bishogama kiln firing are on display at the Prairie Art Gallery in Grande Prairie until August 25, 2002.

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Shooting straight from the hip

Gary Elaschuk, Sweetgrass Writer, Kikino Metis Settlement

They opened for international rap artists Wu Tang Clan and Ice T. They play recreation centres in isolated northern communities. The group War Party is "Cree hip-hop straight from the reserve" and their fan base is growing across North America.

In April the Hobbema group played at the Telus World Ski and Snowboard Festival in Whistler, B.C., in a show that was broadcast internationally on ESPN. In mid-July, they found themselves a figurative world away, playing to an audience of about 50 young people at the eigth Annual Métis Settlements Youth Conference held at Kikino Métis Settlement, 180 km northeast of Edmonton.

Group leader Rex Smallboy, a 30-year-old who has seen most of the curves life throws at Native people, said playing the small concerts helps keep the group grounded in the reality of what they want to write about, and allows them to see the impact of the messages they deliver.

"Life is 20 per cent what happens to you and 80 per cent how you deal with it," he told the youth at Kikino.

"Believe in yourself." And help others believe in themselves, he added. "Lift each other up.

"The biggest thing I learned with my music is believing in myself," he said. "There are a lot of similarities between what happened with Native people and blacks in the United States," and that's why hip hop, which came out of the inner-city black experience, had its initial appeal for Russ and fellow group members Karmen Omeosoo, 22, and Rex's wife Cynthia Smallboy.

Both the American black population and North American Natives are economically and socially downtrodden people, Rex Smallboy said; people who have had their pride and dignity assailed for generations.

"Hip hop gave me a voice to express those issues," he said. "It also became a healing tool that showed me how to move on with life and have a positive attitude.

"We try to represent the Indian experience in a responsible way. We talk to Elders about what we should be writing about," he told his audience.

Often they are accused of "trying to be black; trying to be something you are not," he added. His response is that "hip hop transcends racial lines. It's international. There are hip hop performers in China, in India, all over the world."

The international nature of hip hop music, as interpreted by War Party, can be heard in their sound that incorporates samplings of jazz, soul, rock, and even country.

"Hip hop is like today's rock and roll," Smallboy said in an interview after the performance. "It's an evolved form (of music) with the street identity. There are no barriers to expression. We can do anything we want and get away with it."

The appeal of War Party is found in the mix of the music and the message they deliver, but for the group the music came first.

"The message just kind of came because the music made us soul-search," Smallboy said. "It made us take a look at ourselves, and look at our people and where we came from.

"Hip hop gives me the opportunity to voice myself. It gives me the opportunity to stand up and be proud of who I am and influence young people in a positive way."

He said they had no intention of exploiting who they are or where they came from.

"We do not pretend to speak on behalf of everybody. We're just trying to create some positive vibe in our people.

"We need to restore pride. I tell these kids they can do whatever they want. Your dreams are the boat that carries you to success."

The success of War Party is a testament to following a dream, though it's a success that falls a little short if you measure it in only economic terms.

This is a "working to make music" group, but if there is any fairness in the music business their time is just around the corner.

The group first came together in 1995. They won the "Best Rap/Hip Hop Album" at the 2001 Canadian Aboriginal Music Awards for their first CD- The Reign-available through www.arborrecords.com. They released a six-track EP in April, and will be releasing a 20-track CD this summer/fall, which they are producing as an independent. This CD will be distributed by HMV music stores. "We are handling all the business of it ourselves," Smallboy said. "I had to learn to be a white businessman, but I still maintain my First Nations integrity; I do my music for my people."

The CD that will be released later this summer was recorded at their home studio at Hobbema using computer technology learned from the ground up.

The group is also doing a compilation called "Rez Cuts" to expose other Native rap and hip hop groups.

"Word of mouth from our fans is creating a buzz about us, "Smallboy said. "They are our inspiration."

A music video that got a lot of play on MuchMusic, "Feelin Reserved", is adding to that buzz. The video was produced with funding from MuchMusic, the first time a Native American rap or hip hop group received such funding for an independent project. The video was also nominated for "Best Music Video" in the 2002 Urban Music Association of Canada awards.

The group set another first when they were the first Native American group to host MuchMusic's "Rap City" show, and another when they were the first musicians in Canada to get sponsorship from international designer Tommy Hilfiger when they wore his clothing at the Telus World Ski and Snowboard Festival in Whistler.

War Party has opened for the groups Wu Tang Clan, Mack 10, and Ice T, and played in front of thousands of people at the Native American Music Awards in Hartford, at Canada Day in Calgary, and in big clubs like Reds in Edmonton. They played at the opening ceremonies of this year's Indigenous Games in Winnipeg, and in a concert during the event. They also play all over Western Canada to small audiences like the one at Kikino.

One of their biggest gigs was one that never happened. They were the opening act for the Wu Tang Clan show in Calgary in 1997 that was cancelled when some of the Clan was detained at the border. The cancellation was last minute, and the crowd outside the building was not happy about it.

"It was scary," Smallboy said. "We were inside the building and people were trying to get in. There was almost a riot."

Their smallest gig was just as memorable-playing in front of 14 kids in Profit River in northern B.C. A foul up by the manager meant the equipment was left behind on the long road trip.

"We did the concert, but didn't have equipment for the dance," Smallboy said. "The kids went home and came back with their home stereos and lights, hooked all the equipment together and got us to DJ their dance. We met positive kids all over, but that was a unique bunch."

Watch for War Party on the big ticket shows in the future, and keep an eye out for them in the far flung communities of western Canada and the N.W.T. For tour schedules and updates on their recording projects, visit their web site at http://www.warparty.cjb.net.

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Thrills chills and spills at Kainai

Nancy White, Sweetgrass Writer, Stand Off

One of the favorite stops on both the powwow trail and rodeo circuit is Kainai Days Summer Powwow, Rodeo and Fair that was held in Stand Off on July 19 to 21.

The weekend proved to be a hot and dusty one, but that didn't slow the dancers or the cowboys down.

This year's Kainai rodeo roster listed some of the top names on the Indian rodeo circuit, plus those making their way through the ranks. The cowboys and cowgirls are all collecting points towards the 2002 Indian National Finals Rodeo that will be held in California.

With contestants from Montana, Saskatchewan and Alberta, the weekend was full of all the thrills and spills that makes rodeo famous.

The dry ground made for some great times in the barrel racing. Young Raven Shade from Montana was well mounted on her big bay horse, showing the ladies how the pattern's supposed to be done, with a 17.75 second run in the junior barrel racing on Saturday.

In calf roping, Slim Crayton managed a blazing 9.8 to take the fasted time of the day. Sadie Johnson wrapped things up in the ladies break away roping with an impressive 3.9 second run.

The rough stock was excellent this year, giving the cowboys a good run for the money. Dean MacDonald teamed up well with a high kicking roan horse in the saddle bronc for a 73 point ride. Tuck Johnson showed what he was made of with an impressive 71 point ride in the boys steer riding.

The spine tingling, event of bull riding was as crowd pleasing as ever with as many cheering for the bulls as there were for the cowboys. Though bulls outdid most of the cowboys, David Alexander was able to make the eight seconds aboard a fast spinning bull for a 71 point ride.

The weekend wrapped up with awards and an honor dance for all the rodeo contestants at the powwow.

With midway rides for the excitements seekers at the fair, Indian taco's, drumming and dancing at the powwow to dusty rides and wrecks at the rodeo, Kainai days summer Powwow, Rodeo and Fair had something to offer everyone's taste in fun.


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