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Trust. Integrity. Reputation.
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Debora Steel, Windspeaker Staff Writer, Los Angeles California
Director John Woo's new film Windtalkers is a war film. Let's not be too shy about saying that. Bodies are blown to small bloody bits, bullets and bombs turn human flesh into so much mangled meat, and men are destroyed in as many different ways as can be imagined.
Set amongst this carnage, however, is a compelling story about a difficult relationship, a friendship that reluctantly develops despite radically different cultures, morally repugnant orders, and disturbing emotional frailty.
It is 1942 and the Second World War is raging. The Japanese are making short work of U.S. encrypted military transmissions, slowing American progress to win the war. Several hundred Navajo men are recruited to serve as marines, and to develop a code based on their difficult language that could be used to communicate enemy troop movement, U.S. tactics and other information over radios between marine units and command centres.
Enter a young innocent, Ben Yahzee, played by Canadian actor Adam Beach (Smoke Signals, Dance Me Outside). Yahzee is a family man. He wants to bring honor to his people and fight well for his country. He is a code talker who is sent, along with fellow Navajo, Charlie Whitehorse, (Roger Willie), to do battle at Saipan. Assigned to the code talkers are bodyguards, sent to protect them during the fighting. What is not known to the Navajos, however, is that the code is the treasure. If a code talker is in danger of being captured, a guard's job is to kill the man to protect the code.
Academy Award winner Nicholas Cage plays Joe Enders, a marine tortured by the horrors of war and the decisions he's made in battle. He is assigned to guard Yahzee and the code, because Enders follows orders well.
No two men could be so different-Yahzee, bright with optimism and hope for the future, and Enders, consumed by the hell of his past and a terrible dilemma: How do you kill a man who has become your friend?
"Now that's my kind of movie," said John Woo when he was first pitched the idea for the film, which was inspired by true events.
"I was really touched by this story," said Woo. "Before this I had never heard anything about the code talkers."
Woo is known for his blockbuster action films (Face/Off, Mission: Impossible 2), but his friends are quick to point out there is a common thread, a depth and dimension to his work.
"I really hate it when people call John an action director," said Windtalkers producer Terence Chang. "If you look at his best work it's not only about action, it's got a lot of heart. It's got great characters, great drama. His best Hong Kong film is a film called Bullet in the Head. It's a similar theme. It's about friendship, the trial of friendship in hard times."
Despite the objectionable action film label, Woo's film is undeniably high-octane explosive. In the first battle scene alone, 280 explosions were used to recreate the terrifying atmosphere of men at war.
"I told all the special effects guys to make all the explosions much bigger than life. Like a grenade blowing up, a grenade explosion usually is a puff of smoke. There's no fire. I say, 'no, no, no. I'd like more gasoline,'" Woo said with a laugh.
"All the action sequences I try to make it seem like a documentary," said Woo. "I try to make it real and horrifying."
And horrifying it was to some of his actors.
"The whole idea is an innocent man in the war, and he witnesses all the violence," Woo said. "He is so innocent that he has never seen a war before, and how he feels about the war and how he is changed by the war.
"So the first day we shot with Adam, there was a moment when he followed Nick, and Nick says 'I told you to stay down.' And while they are staying down there are several guys that get killed around him. And it was so real and [Beach] didn't expect it. The acting was so real and the explosions and the bullet hail was so real, and he looked really scared. And his face turned pale, and he went up to me and he says 'John, it was so violent.' He said 'I have never seen so much violence in my life.' I said 'yeah, yeah, war's like hell. You know, that's what I want to show.'"
Woo describes Windtalkers as an anti-war film.
"I think to make this film would allow me to send a message to make people realize that war is not good for anyone. Only friendship is forever."
Windtalkers marks the second movie that friends Woo and Cage have made togetherthe first was Face/Off-and the director always had Cage in mind for the Enders character.
"While reading the script, I was seeing Nick in the movie. I kept seeing his face in every scene."
Filling the role of the Yahzee character, however, was difficult, said Woo.
"Before we started shooting, we met the Navajo leaders and they really wanted us to use the real Indians to play the Indians. They would never like the Hollywood movies, the western or the war movies. They usually use some white man or Filipino to play the Indians. They didn't want to see it happen in this film. They were very serious about the story."
The casting crew looked at about 400 Navajo young people, but couldn't find any who had the skill level required for a lead in a movie of this magnitude. That's when Adam Beach's name came up.
"My partner, Terence Chang, showed me one of his films-Smoke Signals. And then I liked [Beach] a lot. I find him so charming, so innocent, and so real. And, especially, I liked his smile."
That smile was one of the qualities that landed Beach the part.
"We grew up with the westerns and whenever we saw an Indian character in the film-real still, no character," said Woo. "I never saw them smile. I never saw them cry and didn't know how they feel. It seems to be inhuman. So in this movie, I wanted to show their real character, and their real nature. That's why we would like to have Adam Beach. He looked so natural on the screen, and I'm so glad that Adam and Roger [Willie] really changed the whole image."
Roger Willie, a Navajo of the Wateredge clan, also plays a code talker, a traditional man, quiet and unflappable.
Willie's story comes straight from the Hollywood book of legends, discovered at a casting call on the Navajo reservation where he took his nephews to audition. He was coaxed into a reading and soon found himself in Los Angeles studying with an acting coach, having his long hair cut to marine length for the part.
And he astounded his fellow actors with his skill.
"I had no idea it was Roger's first time," said Christian Slater, who plays Pete "Ox" Anderson, Willie's bodyguard in the film. "It was a total surprise to me. I found him to be a complete professional, and I think the studio, whatever, the gods, couldn't have chosen a better representative for the Navajo people."
While he was new to the movie-making process, Willie wasn't new to the role of service in the armed forces. He signed up in the early 1990s and was a paratrooper stationed at Fort Bragg.
"I think, in one way, war is almost a ritual thing for Native Americans," he said. "It's all about preparing for war and if you do experience that, when you come back it's another ritual thing. You go through another process that brings you back, for lack of a better word, into society. It's a tradition. And I think for many Native Americans, it's a way to carry on that path of the warriorship versus, in Navajo, what we call the beauty way or the corn pollen way. That duality of life."
He said Woo's explosions helped his performance. And going back to basic training was fun.
Woo sent all the main characters to Kaneohe Marine Corps Base in Hawaii for eight days of marine training. (Cage could only get in three days because of other film commitments.) There they learned how to walk, talk, and think like marines.
"For me it was just wonderful," said Slater. "I think it helped me, in particular, to really feel like I owned the uniform I was wearing." This is Slater's second time being directed by Woo. His first was on the movie Broken Arrow.
"This was the beginning of our journey," said Noah Emmerich, who plays Chick, a member of the Windtalkers marine squad. "We got on a plane, a first-class ticket to Hawaii, big Hollywood movie, huge budget, John Woo, Nick Cage. This is it, you know? Glamour, big war movie. Landed in Hawaii, basically get accosted by a drill sergeant, thrown into a truck, driven to a marine barracks, stripped of your clothes, stripped of your cell phone, your wallet, your watch, anything. Thrown into a shower naked, de-liced, thrown a 1942 pair of underwear, 1942 boots, pants, blouse, they called the shirts blouses then, and thrown into a barracks with 80 bunk beds, and said 'Welcome to the marine corps . . . It's 1942.'"
He said the camp was made up of 80 marines and seven actors. It was intense, intimidating and very effective.
Emmerich hits a nerve in his role as a Texan whose family has a long history of military service and a longer history of bigotry against Native Americans.
"Hopefully my character in the movie you'll see starts out with this very, very narrow-minded, prejudicial approach, and by the time the movie's over he's begun to question himself and his perspective."
Emmerich said his character begins to see the Navajo as human beings first, with hopes and dreams, and he starts to question the things his parents taught him.
"We decided to deal with this head-on, because this movie is also about racism," said producer Terence Chang. "You know, there is racism now, but can you imagine back then. When we talked to those code talkers, the stories that they told us-it's unbelievable."
One of the many discussions arising from Windtalkers concerns why Native Americans would rush to the defence of a country that had treated them with such derision.
"It's a fairy tale for me in one way," said Peter Stormore (Fargo, The Lost World), because here, the colonization of this land where the Native Americans, as we call them today, were butchered and slaughtered by the white civilization, and 200 years later in the most crucial point in the Second World War they stepped in to help their white brothers and sisters." Stormore plays Gunnery Sergeant Hjelmstad in Windtalkers.
Emmerich had never heard of the code talker story, despite having majored in American history in college. And he was not alone. Christian Slater also said Windtalkers was a history lesson for him.
"I had no idea of the influence the Navajo Indians had in helping us to win the war and turn the tides. I was blown away by that."
In fact, the code talker mission was kept a military secret until the late 1960s.
And there is some controversy over the film's premise that a marine would be ordered to kill another marine. While Windtalkers is based on a real story, and the United States Marines signed off on the script, they deny that any such order was issued.
But producer Alison Rosenweig, who originally had the idea to bring the code talker story to the screen, doesn't doubt the order was real.
"Yes, it has been controversial; however, the most famous code talker, who unfortunately has passed, Carl Gorman, who was one of the original 29, I have quotes from him saying that it's true," she said.
"We think it's very true," said Windtalkers writer John Rice. "Why would they say 'yes, we did that,' because someone might read it as 'well, if they were white people who were code talkers, they wouldn't say you could shoot them.' They would not want to be perceived as having any racial bias. It makes sense for them to deny something that you would have a hard time proving.
"We just don't know why anyone would make it up. We don't know why we would read it in four books and why a code talker named Carl Gorman would be quoted in his local newspaper talking about it."
Windtalkers opened in theatres on June 14.Top