PNE Pavilion disappointing

Page R6

The Aboriginal Pavilion at Vancouver's Pacific National Exhibition (PNE) is reputed to be an improvement from last year. However, it still appears to have been built more on hype than on actual substance.

The focus of the pavilion this year was somewhat fragmented. The stage performers were almost all from British Columbia, while the exterior of the pavilion boasted tipis, which are not representative of British Columbia's First Nations cultures. The pavilion was situated in a poor location, away from the bulk of the PNE population, which rendered it difficult for craft dealers and the food kiosk to make a profit.

Stage performances were offered several times each day, which included drum groups; the Maori dancers, a theatre group; and a Kwakiutl fashion show among other events. The Maori dancers were a big success, as was the Kwakuitl fashion show.

A Native arts and crafts show encompassed the small pavilion building. Several crafts dealers were angered the presence of a non-Native entrepreneur who was selling Native-made jewelry. The crafts dealers have been led to believe that only Native dealers would be allowed to rent booths since it was an Aboriginal Pavilion.

The continued presence of an Aboriginal pavilion is considered many to essential to maintain. It has the potential to a vital vehicle in promoting greater cultural awareness, while breaking down the fear, ignorance, and misunderstanding racial barriers are built. promotion of cultural awareness can deepen the roots of stereotyping and ignorance.